Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Monday, August 8, 2011

Pitbull Planet Pit Album Review

Pitbull Planet Pit

Planet Pit is the sixth studio album by rapper Pitbull, this album published on June 17, 2011 by J Records. The production was handled by a variety of pop and hip-hop producers including David Guetta, RedOne, Dr. Luke, Jim Jonsin, and Soul shock. Musically, the music album was created with the objective that every song could be a possible single. The music album is a mix of merengue, freestyle, cha-cha-cha, Miami bass, hip hop and dance hall. This album debuted at number seven on the Billboard Top 200 Chart, selling 55,000 copies in its first week and becoming the best debut for Pitbull in the United States.

Popular single on Planet Pit album
  • The first single from the Planet Pit album was Hey Baby (Drop It to the Floor) together with T-Pain. It 'was released September 14, 2010, by J Records, a music video with his counterpart. The single reached the number seven position on the Billboard Hot 100.
  • The second song released from the Planet Pit album Give Me Everything has been featuring Ne-Yo, Afrojack and Nayer. It 'was published March 22, 2011 by J Records. with its music video. This passage has been much more successful the previous single reaching the number 1 on the Billboard Hot 100 charts and four of italaina.
  • The third single from the Planet Pit album was Rain Over Me featuring Marc Anthony. It was released June 10, 2011 as the third promotional single of the album, to be confirmed as the third official single from the album June 19, 2011. It debuted at No. 75 on the Billboard Hot 100 Chart.
Criticism

Allison Stewart of The Washington Post gave a good review Planet Pit saying: "His new album, Planet Pit, is a veritable larder of various individuals that make a good pop album, and uncommon for his conduct of an individual better than the other, dressed with stucco. every song in Planet Pit is a superstar / super producer collaboration, every song is a bomb. It seems the future package Greatest Hits. "In its review of U.S. Magazine, Ian Drew gave the Planet Pit album three out of five stars and said: "If you want a hugely successful pop album these days, Planet Pit is what you want." He concluded by saying: "So, of course, the Cuban 30 year Pitbull released his sixth CD composed entirely of club music." Robert Copsey of Digital Spy gave the Planet Pit album four out of five stars, saying: " Pink with another impressive guest vocalists engaged on board, all the songs on the Planet Pit album can become real individuals to huge success."

 Planet Pit Standard Edition 
  1. Mr. Worldwide (Intro) (featuring Vein) - 1:24
  2. Give Me Everything (featuring Ne-Yo, Afrojack e Nayer) - 4:12
  3. Rain Over Me (featuring Marc Anthony) - 3:51
  4. Hey Baby (Drop It to the Floor) (featuring T-Pain) - 3:54
  5. Pause - 3:00
  6. Come N Go (featuring Enrique Iglesias) - 3:50
  7. Shake Senora (featuring T-Pain e Sean Paul) - 3:34
  8. International Love (featuring Chris Brown) - 3:47
  9. Castle Made of Sand (featuring Kelly Rowland e Jamie Drastik) - 3:48
  10. Took My Love (featuring Red Foo, Vein e David Rush) - 4:29
  11. Where Do We Go (featuring Jamie Foxx) - 3:50
  12. Something for the DJ's - 3:04
Planet Pit Deluxe edition

   13.  Mr. Right Now (featuring Akon) - 3:07
   14.  Shake Senora (Remix) (featuring T-Pain, Sean Paul and Ludacris) - 4:12
   15.  Oye Baby (featuring Nicola Fasano) - 2:55
   16.  My Kinda Girl (featuring Nelly) - 3:40

Listen music sample on Planet Pit album



More album reviews : Dir en Grey Album Dum Spiro Spero

Friday, August 5, 2011

Dir en Grey Album Dum Spiro Spero

Dum Spiro Spero

Review album Dum Spiro Spero

This album release on Aug 2, 2011. This album have 14 tracks, Dum spiro, I hope, the eighth full length music studio offered by Japan Dir en Grey relies heavily on the borders established in 2008 Uroboros. At this stage of their careers, it is simply inaccurate to call a metal band Dir en Grey, although use in abundance for their ambitious and unique blend of styles throughout. While the pre release single "different direction" and "Lotus" offers portraits "sounds used on Dum spiro spero said I hope they are really just a sound sample of what is proposed. Similarly, all the first two tracks are, to some extent, false, and with other indices of the whole album, but nowhere near a accumulation of assorted ambitions. The memory, a fragmented melody, piano intro full of "Mo Kyoukotsu Nari" includes song without words Kyo, sparse guitar work by Kaoru and Die, Shinya and percussion, while "Flowering Beelzebub" offers low listening guitars and distorted bass lines, rolling tom-toms and snare drums, with songs by Kyo not screaming in its highest falsetto, as the musical tension begins to build, but gives a great prog charge to return about to explode, not happen. Dir en Grey Fury is unleashed on the "how" scary riffs with growls and Blastbeat power.

The back to back "Juuyoko" and "Shitataru Mourou" are portraits of complex sounds extreme music, with beautiful melodies, broken into pieces by the furious riffs and pounding death metal as the base gives way to lyrical songs complex buildings and multi faceted elongated harmonic.

In the latter track, transitions seamlessly between screaming rock pyrotechnics and lyricism occur almost transcendent on a dime. Opposite this is Kyo, using it's extensive range of another instrument to show the tape impressive musical forms. And everything is back to her literally incredible voice (think Diamanda Galas, as a young male Japanese). "Diabolos" is the longest track on the album and Dir en Grey most theatrical: it is full of brooding melancholy, atmospheric alt rock that build very gradually to the hot metal and thrash to undress again. "Crow fell" is the closest thing to death metal here and complain, Kyo as a more extreme version of Mike Patton. The acoustic guitar that introduces the power ballad "Vanitas" belies its lush melodies and sophisticated use dynamics, and emphasize the production of the brilliant album (the group has a handful of engineers).

Who is mentioned in several ballads on "No Ruten Tou," but it is subverted and expanded power metal and multi textured pop music. Dir en Grey is a group of its kind at this point, Dum spiro spero, and I hope it goes as far as to establish that, as did most of the public.

List music on Dum Spiro Spero album
  1. Kyoukotsu No Nari
  2. The Blossoming Beelzebub
  3. Different Sense
  4. Amon
  5. "Yokusou Ni Dreambox" AruiwaSeijuku No Rinen To Tsumetai Ame
  6. Juuyoku
  7. Shitataru Mourou
  8. Lotus
  9. Diabolos
  10. Akatsuki
  11. Decayed Crow
  12. Hageshisa To, Kono Mune No Naka De Karamitsuita Shakunetsu No Yami
  13. Vanitas
  14. Ruten No Tou
Listen to music sample on Dum Spiro Spero album


Sunday, July 10, 2011

Music Artist Jay-Z

Jay-Z
Music artist"Jay-Z"
Biography

Embodying the rags-to-riches rap dream, Jay-Z pulled himself up by his bootstraps as a youth to eventually become the reigning rapper of New York City and, in turn, a major-label executive following his short-lived retirement from music-making. In the wake of his 1996 debut, Reasonable Doubt, Jay-Z's music albums sold millions upon millions with each release, and his endless parade of hits made him omnipresent on urban radio and video television. He retained a strongly devoted fan base and challenged whatever rivals attempted to oust him from atop the rap game, sparing most memorably with Nas. Jay-Z and his Roc-a-Fella associates greatly influenced the industry and established many of the trends that pervaded during the late '90s and early 2000s.
He consistently worked with the hottest producers of the day (Clark Kent, DJ Premier, Teddy Riley, Trackmasters, Erick Sermon, Timbaland, Swizz Beatz), and if they weren't hot at the time, they likely would be afterward (the Neptunes, Kanye West, Just Blaze, 9th Wonder). He similarly collaborated with the hottest rappers in the industry, everyone from East Coast contemporaries like the Notorious B.I.G. ("Brooklyn's Finest") and DMX ("Cash, Money, Hoes"), to the best rappers from the South (Ludacris, Missy Elliott) and the West Coast (Snoop Dogg, Too Short). After his self-declared retirement from rapping in 2003, he assumed the presidency of the seminal rap label Def Jam and, as an industry executive, embarked on another phase in his illustrious career.

Born and raised in the rough Marcy Projects of Brooklyn, NY, Jay-Z underwent some tough times after his father left his mother before the young rapper was even a teen. Without a man in the house, he became a self-supportive youth, turning to the streets, where he soon made a name for himself as a fledging rapper. Known as "Jazzy" in his neighborhood, he soon shortened his nickname to Jay-Z and did all he could to break into the rap game. As he vividly discusses in his lyrics, Jay-Z also became a street hustler around this time, doing what needed to be done to make money. For a while, he ran around with Jaz-O, aka Big Jaz, a small-time New York rapper with a record deal but few sales. From Jaz he learned how to navigate through the rap industry and what moves to make. He also participated in the group Original Flavor for a short time. Jay-Z subsequently decided to make an untraditional decision and start his own label rather than sign with an established label like Jaz had done. Together with friends Damon Dash and Kareem "Biggs" Burke, he created Roc-a-Fella Records, a risky strategy for cutting out the middleman and making money for himself. Once he found a reputable distributor, Priority Records (and then later Def Jam), Jay-Z finally had everything in place, including a debut music album, Reasonable Doubt (1996).

Though Reasonable Doubt only reached number 23 on Billboard's album chart, Jay-Z's beginning yet became recognized as an undoubted classic among fans, many of whom consider it his crowning achievement. Led by the hit single "Ain't No Nigga," a duet featuring Foxy Brown, Reasonable Doubt slowly spread through New York; some listeners were drawn in because of big names like DJ Premier and the Notorious B.I.G., others by the gangsta motifs very much in style at the time, still others by Jay-Z himself. By the end of its steady run, Reasonable Doubt generated three more charting singles "Can't Knock the Hustle," which featured Mary J. Blige on the hook; "Dead Presidents," which featured a prominent sample of "The World Is Yours," a 1994 hit by Nas; and "Feelin' It" and set the stage for Jay-Z's follow-up, In My Lifetime, Volum 1 (1997).

Like clockwork, Jay-Z returned a year later with another music album, Volum 3 Life and Times of S. Carter (1999), which topped the Billboard 200 chart and spawned two single hits: "Big Pimpin'" and "Do It Again (Put Ya Hands Up)." The music album was Jay-Z's most collaborative to date, featuring ten guest vocalists and a roll call of in-demand producers such as Dr. Dre and Timbaland. Jay-Z then scaled back a bit for Dynasty Roc la Familia (2000), his fifth music album in as many years. The music album showcased Roc-a-Fella's in-house rappers: Beanie Sigel guests on seven of the 16 tracks, Memphis Bleek guests on six, and both Amir and Freeway also make guest appearances. On Dynasty Roc la Familia, Jay-Z also began working with a few new producers: the Neptunes, Kanye West, and Just Blaze. The Neptunes-produced "I Just Wanna Love U (Give It 2 Me)" became a particularly huge hit single this go-round.

Jay-Z's next music album, The Blueprint (2001), solidified his position atop the New York rap scene upon its release in September. Prior to the music album's release, the rapper had caused a stir in New York following his headlining performance at Hot 97's Summer Jam 2001, where he debuted the song "Takeover." The song features a harsh verse ridiculing Prodigy of Mobb Deep, and Jay-Z accentuated his verbal assault (including the lines "You's a ballerina/I seen ya") by showcasing gigantic photos of an adolescent Prodigy in a dance music outfit. The version of "Takeover" that later appeared on The Blueprint includes a third verse, this one dissing Nas, who, in response to the Summer Jam performance, had called out Jay-Z, "the fake king of New York," in a freestyle known as "Stillmatic." As expected, "Takeover" ignited a sparring match with Nas, who responded with "Ether." Jay-Z accordingly returned with a comeback, "Super Ugly," where he rapped over the beats to Nas' "Get Ur Self a..." on the first verse and Dr. Dre's "Bad Intentions" on the second. The back-and-forth bout created massive publicity for both Jay-Z and Nas. In addition to "Takeover," The Blueprint also featured "Izzo (H.O.V.A.)," one of the year's biggest hit songs, and the music album topped many year-end best-of charts.

Jay-Z capitalized on the runaway success of The Blueprint with a number of follow-up projects. He collaborated with the Roots for the Unplugged music album (2001) and with R. Kelly for Best of Both Worlds (2002). He then went on to record, over the course of the year, 40 or so new tracks, 25 of which appeared on his next record, the double album The Blueprint 2. The Gift & the Curse (2002). Though billed as a sequel, The Blueprint 2 was considerably different from its predecessor. Whereas the first volume had been personal, considered, and focused, the second instead offered an unapologetically sprawling double-disc extravaganza showcasing remarkable scope. As usual, it spawned a stream of singles, led by his 2Pac cover "'03 Bonnie & Clyde" (featuring his glamorous girlfriend, Beyonce Knowles from Destiny's Child). Furthermore, Jay-Z guested on a pair of summer 2003 hits: Beyonce's chart-topping "Crazy in Love" and the Neptunes' Top Five hit "Frontin'."

With his final music album behind him and his reputation bigger than ever, Jay-Z accepted an offer to assume the role of president at Def Jam Records. The seminal rap label was struggling and needed someone to guide it through a rocky transitional phase. Jay-Z accepted the challenge and took over the company begun by Russell Simmons and Rick Rubin roughly 20 years earlier. (As part of its deal with Jay-Z, Def Jam's parent company, Universal, bought Roc-a-Fella, which resulted in some bitterness among certain associates upset by the buyout.) Considerable fanfare met the presidential inauguration, as Jay-Z became one of the few African-American major-label executives in the business, and he also became one of the few rappers to transition into that side of the business. Numerous rappers owned or operated their own boutique labels, but none had ever risen to such major-label heights. And the rapper-turned-president didn't take his job lightly, either, at least judging by his initial year at the helm. Within months of assuming his position, he fostered a string of newfound talents Young Jeezy, Teairra MarĂ­, Rihanna, and Bobby Valentino, all of whom enjoyed considerable commercial success and only had a few setbacks (disappointing returns on music albums by Memphis Bleek and Young Gunz).

In 2005, Jay-Z came out of retirement for the "I Declare War" concert in New York City. The ambitious show featured a parade of high-profile guest stars, including Diddy, T.I., Kanye West, and in a peacemaking move, Nas. With this longstanding beef squashed, Jay-Z announced he was coming out of retirement for good. He made it official when Kingdom Come hit the shelves in late 2006. Less than a year later, Jay-Z returned with another post-retirement album, American Gangster (2007), this one inspired by the concurrent film of the same name. Two years later, he released a third installment in the Blueprint series, The Blueprint 3. Announced with the single "D.O.A. (Death of Auto-Tune)," the album featured productions from Kanye West and Timbaland, plus guest features for West, Rihanna, Young Jeezy, and Alicia Keys.